Archive for January, 2010

Critical Penetralia at Solander

Thursday, January 28th, 2010

Greetings!

You are warmly invited to join us at the opening of two new exhibitions: Jacqueline Aust: Abstract and Maree Horner: Critical Penetralia, at Solander on Wednesday 3 February from 5.30 – 7pm.

Jacqueline Aust’s ‘Abstract’, a series of new prints embracing the capabilities of solar plate printmaking, explores patterns of composition from the unintentional marks, shapes and textures of human habitation observed in Florence.

Maree Horner’s new series of photopolymer etchings, ‘Critical Penetralia’, juxtaposes architectural portals with stationary white donkeys, continuing the theme of her previous work where female and male elements jostle to form symbolic images on the surface of the print.

The artists will present a floor talk, starting at 5pm prior to the opening function on Wednesday 3 February. All welcome.

The exhibition runs 3 February – 27 February, 2010.

Please note the photopolymer workshop with Jacqueline Aust is now full, however there are still places available in the March 6 & 7 relief printmaking workshop with Anthony Davies and the Simple Book repair workshop on Sunday 18 April with Vincent Drane; please see our website for further details.

We look forward to seeing you soon.

Kind regards

Kyla, Paulette and Vincent
Solander: works on paper
218c Willis St, Wellington, 6011
www.solandergallery.co.nz | info@solandergallery.co.nz | ph: 04 920 0913

Artist talk: Ronnie Van Hout

Wednesday, January 27th, 2010

Friday, January 29, 2010
11:00am – 12:00pm
Soundings Theatre, level 2, Museum of New Zealand, Te Papa Tongarewa

Join artist Ronnie van Hout for an illustrated talk about recent work including the project A Loss, Again currently on show on the Te Papa Sculpture Terrace, Level 6.

Ronnie van Hout works with sculpture, photography and installation. He is well known for his use of stand-ins, body doubles and humour in his work which typically explores identity and the self. In 2009 van Hout exhibited a selection of new and recent works in Who Goes There at the Christchurch Art Gallery. The talk will cover works from this exhibition and A Loss, Again.

Ronnie van Hout’s talk is supported by
Over the Net – www.overthenet.blogspot.com
and Camp A Low Hum – http://alowhum.com/camp-a-low-hum/.

Festival of Art and Creativity

Friday, January 22nd, 2010

titleTLC Taita Campus and Grounds

The Learning Connexion, in conjunction with the Creative Communities Fund, is proud to be hosting a celebration of all things artistic and creative with a festival at our beautiful campus in Taita!

This daytime festival (free entry) will be an opportunity to showcase some of the awesome creative talents that dwell in the Hutt Valley. It will also be a great chance to be creative yourself, in our hands-on art workshops.

We will have a creative family and kids zone, portrait artists, stone carving, craft demonstrations, open studios, music groups, cultural performances and delicious ethnic food stalls.

Mark the date in your diary, join in and be part of this wonderful family event!

Join our TLC facebook group or email Carrie Burke (c.burke@tlc.ac.nz) for further information or if you want to be involved.

We are still looking for community involvement, including cultural performers, artists, community groups, stallholders, ethnic food stalls and craft groups. All things creative from the Hutt Valley! So if you are interested or have any contacts for us; please contact Carrie Burke on 0800 ARTPOWER.

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Festival of Art and Creativity- Banner

TLC Evening and Weekend classes still available

Friday, January 22nd, 2010

The following classes still have places available. Contact Catriona Fraser – ps@tlc.ac.nz – to enrol or for further information.

Evening classes
Creative Flow Through Printmaking
Tutor: Marci Tackett
Evening: Wednesday

Computer Graphics – all levels
Tutor: Matt Moriarty
Evening: Thursday

Weekend classes
Mixed-media Assemblage Art
Aaron Frater
January 30 – 31

Arts Marketing and Administration
Eva Yocum
January 30 – 31

Becoming Visually Literate
Iain Watt
January 30 – 31

Deaf and Hearing Impaired Art Course

Tuesday, January 19th, 2010

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The Learning Connexion School of Art and Creativity (TLC) is making a huge effort to become equally accessible for Deaf, Hearing Impaired, and Hearing students alike.

TLC employs a full-time communicator whose primary role is to ensure effective communication between tutors and Deaf students. We also teach classes in New Zealand Sign Language (NZSL) to staff and students.

Our campus offers purpose build studios for printmaking, jewellery, design, screen-printing, photography, video & computer graphics, stone sculpture, hot arts -- such as bronze casting, and more!

With part time and full time study options available, students can study the course onsite or from home using course notes and DVDs as a guide.
All students receive personalised feedback from their tutors.

TLC also host a number of different events for the Deaf community including an annual Deaf exhibition and guided tours of each TLC end of term exhibition.

The Learning Connexion is proud to be able to offer their NZQA Art & Creativity Programme to Deaf and Hearing Impaired people and welcome new students!

Contact The D Team for more information by
Email: thedteam@tlc.ac.nz
Text: 027 710 4735
Fax: (04) 567 9864
Phone: 0800 278 769

Or visit our website www.tlc.ac.nz

View our new Promo Clip Here (in NZSL):

Thinking inside the box!

Friday, January 15th, 2010

Bernice b

Written by TLC student, Bernice van Gils.

Normally this statement would have creative people running for the hills, but for me, this statement began a journey of self discovery that has opened many doors.

Boxes and I have a very special relationship.  My first creative experience with boxes goes back to when I was four.  Our family doctor had a private practice in a small town just outside of Christchurch called Templeton.  I discovered one day, while visiting for some childhood ailment, that the doctor had a very smelly toilet.  Having identified the problem and taken it upon myself to come up with a solution, I spent the next few weeks at Kindy making an air freshening unit out of cardboard boxes.

You can imagine my mother’s dismay when this ‘said’ contraption accompanied us on our next visit to the doctor.  Apparently I even gave him a demonstration on how it worked and proudly placed it in the offending cubicle feeling that I had made the world a better place, if only for those people unfortunate enough to require the use of this particular loo.

So, I guess you could say that Boxes and I go way back.

Fast forward to 2004.  After having trained as a folk-artist for a couple of years, I decided it was time to explore a more liberal approach to creativity and started painting abstract and contemporary paintings which people seemed to enjoy.  It was time to combine this new found love of painting with my love of boxes and I started creating miniature works which were then gift-boxed for family and friends.

This proved to have a level of success that saw me branching out and seeking other artists to also create work for my boxes….. and thus Art in a Box Ltd was born.

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I opened a gallery and a website and had over 40 artists who created small works in which ever genre they created in, and we sold these as affordable gifts in our gallery. The boxes served as a calling card to the artist’s larger works which were displayed on the website.

It was a lot of work, but it was an incredibly valuable experience. When I began the business, it simply never occurred to me that it couldn’t be done.  I was passionate about working with artists, selling their work and of course… the boxes.

Like many who have found their way to TLC, I too had a life changing experience and had to review my life and my own creative journey.

I closed down the business, the gallery and the website and made the move to Wellington with my children and my lovely husband.  It was time to get back to basics…. And continue my journey of self discovery through creativity with the help of TLC.

Finding solutions to problems in a creative and effective way is something that I thrive on, and it was during a conversation with friends of mine that it became apparent that I had stumbled upon a solution to my particular problem -  the dream of the business was still there, but I didn’t have the capacity to do it alone.  Enter stage left… Andrew Martin, my soon to be business partner.

Andrew has a very strong business back ground, and was looking for an internet based business to get his teeth into.  I had already identified where my own strengths and weaknesses were, and having identified that I didn’t want to run the business solo this time, we pooled our strengths and totally revised and revamped Art in a Box Ltd.

Gemini sister set

Gemini Sisters- By Bernice Van Gils

It was quite a challenge bringing together the business world and the creative world, but we have given life to something pretty special in our little company. We set up a fully ‘e-commerce’ online gallery which merges the needs of the artist with the needs of potential customers and acts as the interface between the two, alongside providing the artists with the opportunity to get their work out there.

Like any new business, it takes time to build a reputation and to gain the trust of those who join our little online family.  Being a working artist myself gives me a bit of an insight into what I have found helpful for getting my own work seen.  By approaching it from an artist’s perspective, I feel that we have created a useful tool, and more importantly, a completely user-friendly tool.

Sadly, the little boxes had to be retired from the business side of things, with us being totally internet based, but we decided to keep the original name…. the boxes now being replaced by the box in which all the spectacular artwork is now viewed….. the computer.

I get so inspired and excited when I see new work coming through from other artists.  It feeds the soul to be part of such a creative community.  My passion for doing the best I can in helping get work out to such a wide audience seems to grow rather than diminish, which definitely bodes well for the future!

What I really wanted to provide, with Andrew’s sound business back-up, was an opportunity for artists, just like me, to get their work seen by a wide audience with the potential for them to sell work anywhere around the world….. and that is just what has happened.  Our website is getting hits from all over the globe, commissions are coming in for artists, sales are taking place and through word of mouth, artists are taking a punt and sharing their work in our gallery.

Jewellery 13

Jewellery by Natalie Halley (TLC student)

It was paramount that the whole process was as artist-friendly as possible.  To help this, we have taken on the challenge of doing all the uploading and offering to tidy up images if required, for free.  Artists can feel secure in the knowledge that they retain full copyright on all their work and can continue to sell their work in the ‘real world’ how ever and where ever they choose…. All they do is let us know when things are sold so we can keep things current.

For those that join, there is a small monthly fee which keeps the site up and running and if our site handles sales directly, then there is a competitive commission of 28%.  This covers the handling of the client, communication and e-commerce stuff.  From talking with the artists, it became clear that they much prefer packaging their own work, so this is the only piece of the puzzle that the artist has to deal with personally, thus ensuring they feel confident about sending off their work.

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Meditation By Chris Partington (TLC student)

It has been a fantastic learning curve but having a business partner there to take care of the nuts and bolts so I can focus on the work and the artists, means a sound foundation for our little company.

Sometimes we have to let go of things in our lives in order to be free to grasp the next step, and while this can be a very scary and unsettling experience, it can provide its own vast rewards.  Since closing down the business in 2006, packing up the gallery and moving cities, I thought that I was going to have to say goodbye to my dream of running my own company in the art world in my own way.

Sometimes we have to have faith, take that leap, and follow the passion.

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The Reserve By Chris Partington (TLC student)

For me, that was coming to TLC, realizing that not fitting in to the ‘status quo’ in the art world was not necessarily a hindrance, as it supported my need to not follow the path well trod.  It meant that exploring fresh ideas and approaches keeps the passion alive for what I want to achieve with the company, and with my own creativity.

The future looks bright for Art in a Box.  We have a good passionate team who enjoy the challenge of presenting creativity and art to a wider audience in a business-like manner while providing our artists with a good amount of hands on support in a personal way.  We have plans to evolve the site as it grows….. it’s all very exciting.

My theme song would definitely have to be the Tim Finn song “…. I just had to find a like-minded someone, who had no idea that it couldn’t be done”

…. if anyone wants to know more about showing their work online, or has any questions about the website, don’t hesitate to drop me a line, either via the website on the contact sheet www.artinabox.co.nz , txt or phone me on 0272755579, or email me at bernice.vangils@artinabox.co.nz

TLC Evening Art Classes

Wednesday, January 13th, 2010

The Learning Connexion offers evening classes to students and casual students.

Classes begin Week 2 and end Week 8 of term. All evening classes run from 6 – 9pm.

Term One Dates 2010 – 26 January- 26th March

Email ps@tlc.ac.nz to register. For more information about registering click here.

Casual students = Class fee is $220 for seven classes.

The evening classes for Term One 2010 are:

Monday: Sculpture with Mel Ford

Work on a sculptural project of your choice in one or more media including clay, cement, plaster, stone, wire, latex, wood or found objects. In this class you are free to explore the ideas that you bring along as well as the possibilities which arise as a response to your own intuitive interaction with the material.

Work with a friendly, approachable tutor who has an extensive working knowledge of a wide variety of materials and techniques.

Bring along whatever you wish to work with on the first evening plus any drawings or reference material that you may require. Most materials can be purchased at the school shop prior to the start of class…by phone if necessary!

Materials Required: Dependent on project

Most materials can be purchased through the school shop prior to class.

For prices visit -  http://tlcstudents.ac.nz/docs/2009-materials.pdf

Wednesday: Creative Flow through Printmaking with Marci Tackett

Dive in to Print! We will begin with the seed of an idea and let it guide us through the process of creating a series of prints as a vital means of expression unlike any other.

Your path will be unique; you will learn about your creative process and your working style. Do you like to try many variations? Do you like to stick to just one method and hone your skills? All will be embraced.

Materials Required: Supplies needed depend on individual projects chosen.

  • Visual Diary
  • Matt knife

Cost to student: $15 materials fee will provide most supplies including proofing paper.

You will need to purchase nice paper and transparent ink extender if you’d like it in addition to supplies for independent projects. For prices visit -  http://tlcstudents.ac.nz/docs/2009-materials.pdf

Wednesday: Drawing / Creativity and some Painting on the side with John Cornish

Through explorative, fun, and imaginative approaches we will develop and strengthen core skills. This way of working will also serve to help generate ideas for on-going work and increase your understanding and appreciation of the wide range of drawing materials available.

It is my aim to keep the fun aspect alive within the creative process. Interactive learning and sharing is encouraged and all levels of experience are welcome in this very supportive environment.

There is also the opportunity to work independently on a theme or themes with tutor input as required. Painters are welcome to come and work independently with tutor input as required.

Required materials

  • indian ink
  • pastels (chalk / oil)
  • charcoal (willow / compressed)
  • kneadable eraser
  • graphite pencils
  • range of pencils
  • paper

Thursday: Computer Graphics with tutor Matt Moriarty

Computers are simply another tool to help you with the development of your art career and facilitate your creative processes. You can attend this class no matter how little or how much you know about computers. You can work on your own projects, getting advice and tutorials whenever you need them. You can improve your computer skills through practical application. Design at your own pace and learn how to get more out of the computer as a creative tool.

Materials Required:

CDR/RWs or DVDR/RWs will be required for backing up and archiving of finished work (CDR and DVDR are available from the Materials Office or Computer Room).

Cost to student: $5 – $15 for Printing during the term if required

$1-2 for each CDR or DVD for archiving of finished work

The Creative Adventures of James Brown

Tuesday, January 12th, 2010

Creative Adventures 1
Many of you will have been following the Learning Connexion staff member James Brown in his quest to exhibit his paintings. This week we see how he went at the prestigious Wallace Art Awards.

Words from James Brown – “The Wallace Art Awards are held annually by the James Wallace Arts Trust. Previous winners of the Wallace have been Bill Hammond, Peter Stichbury and Judy Millar. This year there were four residencies up for grabs and two cash prizes all amounting to a $150,000 prize pool. The selection process begins with 115 finalists being preselected from 450 entrant photographs for an opening exhibition, taking place in the Aotea Centre and the Salon des Refusés (translate as you please) at The Wallace Arts Trust Gallery.

I was lucky enough to reach this stage with a two and a half meter tall painting of a goat-headed man on an autopsy bench. This turned out to be one of the less controversial pieces at the exhibit; a finely painted female head bursting into the shape of a flowery vagina, a sculpture of a human skeleton made completely of pastel green acrylic paint and a brain made of curled up strips of multicoloured foam took the cake in this respect.

This is not to mention the winners Marcus Williams and Susan Jowsey with two photos, one of a young girl in a ballet leotard and one of the artist (Williams) staring despondently with what looks like a pink fluffy toy on his head. I’m just not in the same league when it comes to controversy.

John “Banksy” Banks opened the evening and, without dragging on, talked about the new Super-City / Wallace partnership in the Pah Homestead which will soon hold the Wallace collection for at least the next 30 years.

Walking around the main exhibit and the “Salon” other standouts for me were “3D Snakes and Ladders” by Serene Thain; a tower of ladders made from balsa wood and dominos and Turnskin Kingdom’s “Will Need: Instruments of Peace #4. Giant Pip Fists” which were just that – boxing glove sized nectarine pips carved from rimu.

There were an incredible array of artworks, which impressed me in many different ways, and though I was mildly disappointed to be relegated to the “Room of Rubbish” I was impressed and proud to be alongside talented artists such as Alexis Neal, Sam Foley, Scott Gardiner and Janna Van Hasselt.”

You can watch James’ video blog here.

Dane Kingi and Tawhirimatea

Tuesday, January 12th, 2010

Dane Kingi

Dane Kingi – Photo from the Upper Hutt Leader

Dane Kingi is currently studying towards the Diploma of Art and Creativity (Honours) at The Learning Connexion, but this is hardly his first introduction to creating art. Dane has been making things since he was a child and it is something he says he’ll do for ‘life’. His Mum always drew and he remembers spending time drawing with her when he was younger. This led to a passion for creating, in particular carving. Dane works mostly with bone, but also carves wood and designs tattoos.

He finds that the course allows him to work in the directions he is already exploring and his mentor supports him to take his work further. He has been doing a number of projects in and around the Wellington and Hutt valley communities. He has been creating gifts for honored guests at the Armageddon conference, a trade which allows him to meet stars such as Micheal Hearst from Hercules.

It is a hard road however, there are a lot of cheap knock off bone carvings and faux Maori art floating around which undermines work like his. Dane finds that he gets a lot of interest and commissions from people in his own community and also from word of mouth. Dane has been in Upper Hutt for the last ten years and his “Maori Bone Carving” sign outside his house gets him a lot of interest. Local iwi also contact him when they want whalebone and other special items worked on.

His most recent project happened via word of mouth, creating an archway for students at Heretaunga Kindergarten. Recently the Kindergarten decided to become bilingual and they wanted some Maori influence to be bought into the space. They approached their local Kaumatua who passed them on to Dane.

Tawhirimatea

Tawhirimatea

The Kindergarten had decided that they wanted a representation of Tawhiri-Matea, because of the character of Wellington and its windy nature. Dane built and carved a Maihi, or gable above the gazebo in their courtyard. They wanted to represent the overseas students and also the New Zealand born students with kowhaiwhai pattern.Dane designed kowhaiwhai panels to represent both groups. He also included hands at the end of each kowhaiwhai panel to represent the teachers and community who hold all the children together. There was a dawn powhiri for the work and in the end the Kindergarten and community were wrapt

Dane calls himself a T. B. A, a ‘typical broke artist’, but he says it is not about the money; he wouldn’t do anything else except create.